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(It sounds, in a way, like the “time out” between Robert De Niro and Al Pacino in “Heat” (1995).) Clooney has never been so good. She wants to stop the guy, but she would like to have an affair with him first, and that leads to a delicate, well-written scene in a hotel bar where the cat and mouse are negotiating. Lopez was star quality in her first role in “My Family”, and in “Anaconda”, “Selena” and the underrated “Blood and Wine” she only grew older here she plays a role that can be complex or perhaps just plain silly, and brings such a rich comedic understanding to it. Soderbergh edits this scene with small, silent stills nothing quite matches, and yet everything fits, so the scene is like a demonstration of the visual and temporal style of the whole movie. There is a scene of seduction where the dialogue intersects with the very progressive progression of the physical action, and it is on this dialogue that we want to linger.
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And notice the scene between Buddy Bragg and his born again sister.Īt the center of the film is the split between Jennifer Lopez and George Clooney, and these two have a powerless fun in their scenes together that remind you of Bogart and Bacall. Consider a tender father-daughter birthday lunch between Karen Sisco and her father (Dennis Farina), a former lawyer who tenderly gives her a gun. All of these characters have their own lives and don’t just exist for the convenience of the plot.